Penland School of Crafts, Hoss Haley, Auctions and Sculptures

First the video, then the story:

This was an absolute blast to produce and edit, for several reasons.

I’m an Asheville, NC native, so to (finally) be part of the historic Penland School of Crafts family has a lot of personal meaning. Penland dates back to the 1920s and Lucy Morgan’s efforts to both learn native Southern Appalachian crafts and help residents market their wares. It has since evolved into an internationally-recognized center for craft education, history, innnovation and experimentation across a wide range of styles and media. Plus, its location and campus are simply breathtaking.

Penland has a benefit auction every year, with (mostly alum and faculty) artists donating pieces, and the proceeds going to help sustain the school’s mission. I basically showed up to this year’s auction (Penland’s 25th) with gear and recorded nearly everything and everyone I could. Okay, they knew I was coming, but this was a first-time experience for both of us.

The signature work — the art piece that was highlighted on all the promotional and marketing material, and the cover item for the auction book — was “Toric Knot”, a one-ton Cor-Ten  steel sculpture by alumnus Hoss Haley.  Early word was that Penland organizers and Haley himself would be delighted if the piece sold for its retail listing of $20,000.00.

You’ll have to watch (and listen) to the clip to find out what happens, but I believe the video captures a career-changing event in progress.

Haley sat down for an interview the day before the live auction, albeit somewhat reluctantly. He is a self-described taciturn Midwesterner, after all, and talking about himself isn’t on his Top 10 favorite things.

Still, he was a great interview subject — focused, insightful, honest and intelligent. The hardest part in editing his interview was simply cutting down and cutting out a lot of really good material — to let the truly great parts surface.

In terms of style, I also made a choice to reduce the level of polish. Most all of the transitions are simply cuts: direct and straightforward, just like Haley himself. There’s at least one dissolve, but it’s because the transition looked like a jump-cut on its own.

I also played with sweetening his audio, but the result was sterile. The interview itself took place next to a center of activity for the event, and I wanted to keep that energy and enthusiasm as a part of his discussion, even if it’s in the background.

As for the auction itself, it felt creatively “right” to stick to the opening, establishing scene and the closing/conclusion. The audio underneath the quotation cards also let viewers keep up with the progress, and build towards the final strike of the auctioneer’s gavel.

Ultimately, though, the piece is less about things — the sculpture, the selling price, the auction as event; and more about people — Haley, his wife, his real family and his Penland family.

And how on a magical weekend in August 2o1o in the mountains outside Asheville, NC, craft became art, and work became career.

That’s at least my opinion. What’s yours?

Video: Your Online Image Versus Your Resources

First, the video:

Background, thoughts and observations:

I’m biased. I love “Garden & Gun” magazine, and have been a subscriber since their second issue. (And then, only because the first issue snuck past me and managed to sell out on newsstands). As a Southerner by birth and now by choice, I love how they blend a lot of different elements of Southern culture (high, low and all around) into an interesting mix, issue to issue.

The name’s also deceptive, since there’s usually incredibly little about gardening (breathes sign of relief), not so much about guns (awww…), but a lot about lifestyle — music, history, travel, food, drinking, etc. etc. etc.

The magazine also has a decent online presence, and the roots to really flourish from here.

This video is one example:  Justin Townes Earle is Steve Earle’s son, and he now lives in Brooklyn, NY. He hasn’t yet been profiled in G&G’s print version  (it’ll be the Dec/Jan issue), but this type of video profile is incredibly savvy for several reasons:

1. You can push content out far ahead of traditional print schedules. (Now, versus Dec/Jan issue delivery).

2. You can benefit from the work of other people (not just yourself or your staff). Earles obviously isn’t G&G’s in-house musician. And this piece was directed by Tim Sutton, who’s an art director in NYC — although he’s worked on a handful of G&G videos.

3. This external/different work (different aesthetics, different subjects and themes, etc) can bring in different, new, fresh audiences. You never want to be stagnant in terms of outreach, so a foray into music video can make great intuitive sense for a print publication — even though it may not make a great deal of short-term, direct-path business sense.

4. Your site needs a wide variety of content, period. Remember, your website is open 24 hours a day, seven days a week, 365 days a year. It’s like 7/11, always open. And that being the case, you want to offer a variety of content for a variety of content consumers, in a range of media types.

5. Sometimes, you just need to connect with bourbon-drinkin’, chain-smokin’, tattooed Southern musicians. Trust me. (Although you should red-flag any thoughts about a Ryan Adams profile. Again, trust me on this.)

All this said, you should now be thinking about what kind of video profiles might liven up your website.

— If you’re a college or university MarComm rep, you’ve got a wealth of alumni,  donors, faculty, staff, students and community supporters out there. Why not go for some color?

— If you’re in the pop-culture/entertainment-media industry, you should be way ahead of this. If not, call me.

— Even for more traditional industries, there are a lot of great ideas that would be completely fun and help burnish your image while reaching into new demographics.

I’m also willing to hear the counter-argument, from those who might want to play it safer or more traditionally. So let’s hear what you have to say…

Past Video Blasts: “Teardrop”, Massive Attack

As always, first the video, then the story:

It took my good friend (and fellow bandmate & awesome drummer) Jeff Arthur years to get me into Massive Attack. I don’t know why I resisted for so long, but the album that did it for me was “Mezzanine” (1998). Probably because it featured more guitar; but damn, that album has some great songs on it. I know there may be purists that scream “Blue Lines!”, but it didn’t take with me back then. (And if “Blue Lines” didn’t cut it for me, “Any Love” and “Protection” had no chance.)

But “Mezzanine”. Damn. I’d basically forgotten how great this is until someone reminded me that “Teardrop” is the House television show’s theme song (basically, kinda, mostly). Which got me to go play “Teardop” again.

The song features lyrics and vocals by Elizabeth Fraser of the Cocteau Twins. And the story has long been she wrote it in memory of her incredibly close friend and fellow musician, Jeff Buckley, who died a year before the album’s release. (So, probably, about the time the album was being created).The two had even recorded a song, “All Flowers In Time Bend Towards The Sun”, but it’s not commercially available…

Even without that backstory, the song is great, truly touching. The video carries the mood, and is equally enigmatic, and was directed by Walter Stern.

Fraser’s no longer participating in Cocteau Twins. She’s been doing a lot of other musical collaborations, and released a solo single in 2009. Word is she and husband Damon Reese may be working on an album.

Director Stern continues to make music videos as well as TV commercials.

And Massive Attack? They released the “Heligoland” album this year, and there’s talk of another studio album next year.

“Glengarry Glen Waterloo” presented by the C of A Players

Who doesn’t love them some David Mamet? No one, that’s whom.

This famous “Coffee is for closers” scene from “Glengarry Glen Ross” has been a hit at least three times I know of: when the film version first came out; when the film version came out on DVD, and when the scene made it onto YouTube.

Note that I didn’t say anything about the buzz when the play first premiered.

That’s because the scene doesn’t exist in the original play script — it was written specifically for the movie version, and Alec Freaking Baldwin absolutely nails it.

So, why not take those words, strip them of cultural, historical, and social context, screw with the time period and setting, and see if it holds up? Why not indeed…

Ladies and gentlemen, the Confederacy of Awesome Players present their homage to David Mamet’s most famous scene:

Oracle’s Ellison Pledges Billions

Larry Ellison

Larry Ellison, co-founder and CEO of Oracle, has pledged to give away “at least 95%” of his $28 billion fortune to charity.

Oh, and in the same announcement, George Lucas said he’d do the same. But few people ever doubted that Lucas’ heart was in the right place. With Ellison, it was less certain.

During the 1990’s tech boom, I worked for a nonprofit that doubled as both a (free, open) news and information service, and as a service provider to nonprofits — we went around the country teaching 501(c)3 groups of all stripes how to use tech to further their missions (and that covered a lot of ground).

It was a great job — even after 60-hour weeks living in hotels far across the country from my own bed, I always felt my work had helped people in specific, quantifiable ways.

It was also an exciting time to be reporting in that sector, because fortunes were being made overnight. (Looking back, we now know most of these fortunes were only on paper, but still, it was exciting.)

And it was particularly exciting because many of these tech entrepreneurs were giving away big chunks of their new fortunes in very public ways. The attitude at the time was that the people drawn to the tech/start-up culture were more in touch with their core values through their work, more in tune with how social networks can bring real benefits to society, and that the type of people working in that field were driven primarily by the thrill of innovation and discovery; not simply greed and profit.

I believe a lot of these (positive) stereotypes were true, although it would have been interesting to see how these newly rich folks would have held on to their values if the tech crash hadn’t removed most of their fortunes.

But I digress.

I was reminded of that time by Ellison’s announcement. He apparently was motivated by the VERY public appeal by Bill & Melinda Gates, and Warren Buffett, as part of their “The Giving Pledge” effort.

And during the time of the tech boom, the three biggest tech bazillionaires that HADN’T publicly pledged much of their personal fortunes (as opposed to corporate gifts and donations) were Bill Gates, Larry Ellison and Steve Jobs.

Melinda Gates and Bill Gates Sr. went first, announcing plans were underway to create a massive foundation that would funnel the trio’s fortunes into specific areas of global health initiatives, global development (economic aid to the poor), and tech/access and education initiatives in the U.S.

They got off to a roaring start in 1999, and have grown the Foundation’s outreach ever since.

Ellison, not so much. At the time, he was fairly closed-mouth.

It turns out he has been giving away millions, but in a quieter, far less public way. Okay, there was that little dust-up with Harvard University, where he rescinded a $115 million gift because of their ousting of Lawrence Summers. (But Ellison also stated he’d increase his other giving to medical research.)

The reason he’s coming forward and signing this pledge now is that his example may lead other wealthy folks to give and/or make other commitments to the social good.

“Warren Buffett personally asked me to write this letter because he said I would be ‘setting an example’ and ‘influencing others’ to give.  I hope he’s right,” he stated in his pledge.

Maybe one measure will be when (rather than if) Steve Jobs announces plans for HIS vast fortune, and how exactly he plans to give it away. That should be fascinating.

“#ATTFAIL” presented by the C of A Players

For our first foray into animation, and specifically using the really neat Xtranormal service, we present a brief discussion of Apple’s recent communications regarding the new phone, and their iPhone OS update.

Also, it’s Friday, so we wanted to lighten things up.

YouTube and You: 5 years, Celebrating

Did you hear? YouTube is celebrating five years of dominating the world of online video.

Yes, the company is milking this for all it’s worth, but the extended celebration makes sense: YouTube was founded in February 2005, got their initial big funding in November of that year (from Sequoia Capital, as an FYI to all those start-up folks out there), then “officially” launched in December.

…And ever since has been the premier resource and destination for uploading and sharing video clips online.

  • Quick fact 1: Five years in, visitors log 2 billion views a day. That’s billion with a “b”. Every single day.
  • Quick fact 2: For every minute that passes, YouTube users load 24 hours worth of video. That’s up from 15 hours of video every minute as of last year. So all this uploading is feeding the viewing, and all that viewing is feeding this uploading.

To celebrate these acheivements, YouTube is sharing the fun with the world. They’ve set up the YouTube Five Year Channel and have invited, well, everyone — including you and me — to join in.

That doesn’t mean you can upload just anything and expect it to get posted; but it does mean there are some really interesting, insightful, funny and touching videos already up,  posted by regular people sharing stories about how YouTube has affected their lives.

It’s not just regular users, though. The company has savvily invited celebrities to curate their favorite clips.

This effort is more than just puffery; you can watch his intro below, then check out what Conan O’Brien likes:

And on the higher-art side, here’s some commentary by Spanish director Pedro Almovodar describing his list:

Amateur Hour and Professional Standards

I’ve held off commenting on the Shirley Sherrod episode until now, because I wanted to make sure most of the major elements had surfaced.

When the Breitbart clip and resulting propoganda first broke, I was immediately suspicious because of where things originated — a partisan group with a history of questionable tactics, and a proven record of editing video to support a specific agenda.

To say the initial reactions from the administration, the NAACP, and much of the mainstream media were disappointing, is to let these groups off with minor slaps on the wrists. They deserve a proverbial whack on their snouts, followed by “bad dog!”

“Unprofessional” is one word I’d use. “Amateurish” is another. “Incompetent,” “negligent,” “unsuitable”, “naive,” “sloppy” and “half-assed” are some other words I’d suggest, and that’s only because I’m trying to be safe for work.

There’s a lot I want to say about the political and racial implications of what’s happened, but that’s a detour from the basic facts as they appear to be:

Shirley Sherrod, a woman who’s had a tremendously difficult background that might break many of us, worked hard to get to a position where she could help members of her community. She fought through her own biases and prejudices and was rewarded for it with a federal appointment, one that enabled her to do even greater good and on a larger scale.

Then she was targeted by an agenda-driven group, and a video of a speech she gave was edited, taken out of context, and spun to serve craven political purposes.. The group behind all this pushed claims of racism by Ms. Sherrod, and nearly every group that could and should have done some fact-checking… didn’t.

Their first reactions were FAILS. Working professionals that should know better took the edited clip at face value, failed to do basic vetting and verification, and the woman wound up being hounded from her job, her reputation smeared.

Things are now looking better for Ms. Sherrod — the full video and complete context is now out there, and if anything, she looks far better than even her personal narrative would suggest — and she’s reviewing multiple job offers, including her former post.

But those groups that first reacted have a lot of explaining to do.

As a former journalist, magazine editor, and now video producer, I’d like to offer a few tips and questions these groups should ask themselves — and they’ll work well for  anyone else that has to deal with “shocking, controversial” online content .

1. Carefully review the clip in question. Do you see any edit points? If not, look again. If you do see edits/transitions, WHY? What’s been cut out, and why would anything be cut/edited/trimmed?

2. Where’s the raw/full clip? If you’re going to make any judgements, or if there are any possible negative repercussions, get the original clip.

3. Remember to keep context in mind. Personally, if there’s any question about context, possible edits, or any manipulation at all, you need to do your job and make sure the original, authoritative source has been vetted thoroughly.

4. Once you have the original/full/raw clip… REVIEW IT. (It turns out that a few of the groups in question had this clip in hand shortly after the controversy began, but it was too much effort to sit down and watch it. That’s just shameful and unprofessional).

5. If for some reason this original material isn’t readily available, consider that a red flag. Hold off on any next steps until the source material is available.

Yes, it’s more work, but doesn’t this action involve people’s lives, careers, and reputations? It’s just basic double- and triple-checking

If the tables were turned, how would YOU like this to be handled?

Pavlov’s dog reacted quickly, but so what? You’re not a trained dog. You’re a working professional, right?

I am the cosmos

Yes, I am the cosmos. And so are you.

If I had to do college over again, I would have zeroed in on cosmology.

It’s the one subject apart from film and automobiles that leads me to full-geek mode; and so far I haven’t been able to cheapen cosmology through any grubby efforts to make it pay.

This week has been particularly existing in terms of the universe and how it might have come to be, how it might work, and where it may be heading.

First, did you realize gravity doesn’t exist? I didn’t, so next time I do a header off my mountain bike and wonder if I’ll be breaking all my teeth or just shattering my cheekbones, I’ll rest assured it’s simply a holographic illusion, and those aren’t real blood clots and jaw parts I’m spitting out.

Second, the Big Bang may have been a fake-out. This one I was ready for, because there have been a LOT of questions swirling around about galactic clusters and the fact it may have taken 100 to 150 billion years for these things to come together. Based on our understanding of gravity, of course…

Third, the God Particle may have been discovered. Not by that fancy-pants multi-billion-Euros facility underneath the lesser parts of France and the better parts of Switzerland, CERN, but basically in some run-down garage outside of Chicago — also known as the Fermi Lab.

Yes, those same dudes that sent over bad magnets that seriously dinged the Large Hadron Collider last year. That’s how they do things Chicago-style.

There’s also more evidence tying the single-direction flow of time to the possibility our universe may actually be inside a…

Nah. It’ll have to wait for another post.

old dude gets enlightened

To be completely fair…

My last post — which displayed a photo of midget professional baseball player Eddie Gaedel of the historic St. Louis Browns above a photo of U.S. Senator John Boehner — led some people to believe I was inferring that Boehner was perhaps a mental midget.

That’s not the case. As the writer, I wasn’t inferring anything. That’s the job of the reader. My job is to imply, if not overtly suggest.

And to let the chips fall all over the place, had you heard the news about Chuck Schumer’s recent statesmanlike action? In the face of massive unemployment, staggering deficits, and acid-flecked political discourse at all levels of the national dialogue, Schumer bravely whipped off a letter — to Steve Jobs. Complaining about the iPhone 4. And asking for a free fix.

To the senator from New York’s credit, he at least remembered to ask for a free fix for everyone that bought the new phones, not just himself.

Like I said, statesmanlike.

Charles Schumer of the U.S. Senator

"Perhaps it's time to invade Cupertino."