Category Archives: Creato Destructo Imagery
Our firm, here in Chapel Hill/Carrboro NC.
Sundance 2011: Day 7
Quick hits, because local wireless is overwhelmed by Sundance attendees:
“HERE” is gorgeously shot, but an inexplicable two full hours. The male and female leads are compelling, and good actors.
The story is incredibly thin, and so little happens you wonder if a 90-minute version would have saved this.
“Beats, Rhymes & Life: The Travels of A Tribe Called Quest” is directed by Michael Rapaport. Yes, that actor.
And it’s good! The first half is raucous and fun. The second half drags with some extended personal drama, but as a whole, this is well worth checking out.
Sundance 2011: Days 1 & 2
First, a clip, then some stories:
This is an interview with first-time director Elgin James, whose film “Little Birds” is in the Dramatic Feature competition at the 2011 Sundance Film Festival.
“Little Birds” is also the film Robert Redford hopes will win the competition, not that there’ll be any undue influence with the judges or anything. Has Redford come out and said that? Not in so many words, but the will and intent is there.
What Elgin James’ film represents is a shifting of the festival’s focus by Redford and Sundance’s leadership (speculation on my part). James is a product of the Sundance Institute’s filmmaker lab, and “Little Birds” is one of six films in competition this year that came out of the labs.
– In previous years, it wasn’t a given that being selected for the directing, screenwriting or producing workshops held by the Institute would be in any way a ticket into the festival itself.
(Background: the two things are essentially separate entities. The Sundance Institute is actually based in Sundance, Utah, not Park City, although it also has offices in Los Angeles and New York. The festival is an offshoot of the Institute, but it’s firmly based in Park City, although there are some screenings in Salt Lake City, and this is the second year the Festival is conducting a multi-city, same-day screening of feature entries. This year it’ll be Jan. 27.)
Back to topic, it had actually become kind of a knock on the prestige of Sundance that much of its carefully selected and nurtured talent hadn’t really broken out into successful (read, “popular”) careers — although Institute folks will tell you that’s not their focus at all — but these “homegrown” films weren’t even represented significantly in past festivals.
For whatever reason — perhaps it’s a great, breakout collection of young filmmakers this time, perhaps not — one of the narratives of 2011 is this is the year of Institute-nurtured films competing with the rest of the world.
How will they do? The festival just started, so there are 9 more days for word-of-mouth to generate, but “Little Birds” has buzz. Is it buzz based on a great film? Too early to say.
Other “homegrown” Sundance films include “Here” by director Braden King; “Circumstance” by director Maryam Keshavarz; “On the Ice” by director Andrew O. MacLean; “Pariah” by director Dee Rees; and “Martha Marcy May Marlene” directed by Sean Durkin.
So break out your scorecards and start taking notes. We know at least the first storyline of SFF 2011.
Wesley Wolfe: “Only Ray of Sunshine”
Mar 31
Posted by jameshyatt
First the clip, then the story (but for this one, I recommend clicking on the “Vimeo” link in the bottom right, so you can see this video in its full glory. There are a lot of moving parts…):
The song is “Only Ray of Sunshine”, from Wesley Wolfe’s Storage album (Odessa Records, 2010).
Wes is a really nice guy — soft-spoken, polite, and hard working.
Why, exactly, would his video have a lot of bad cops doing a lot of bad things as one poor couple sat there bound (and the female, hooded)?
Because we talked him into it. Half-kidding — it started from a germ of an idea about this sweet little love song and how to shake up the visuals. Showing a couple in the park holding hands wasn’t going to cut it. The project needed the Creato Destructo Imagery edge.
“It started out as a concept about a guy tied up in a trunk being dropped off mysteriously in front of a woman already tied up — basically the action at the core of the produced video,” said director Jerry Stifelman. “Then we had a creative session with Wes, who came up with the idea of making everyone cops, based on the lyric, ‘We are all criminals disguised as cops.’ Then we all came up with having all the cops being as uncoplike as possible… I love working with an artist to bring the video even closer to the essence of the song.”
As producer, it was a great moment when we really connected with the talent on the concept. Truly, this was an idea that hasn’t been done many times over in a music video.
But also as producer, I began tugging at what hair I have left — there were so many questions:
- Where are we going to find all these people?
- How are we going to find (and pay for) the cop uniforms and accessories (badges, caps, etc.) for all these people?
- WHERE can we pull this off?
- We’re in a small town. This really has to be done in public to visually “sell” the concept. What will our REAL cops think?
The good news is Wesley is well liked, so we were able to draft a lot of his friends, fans and family. And the good folks at Odessa Records also joined in. Then, we worked our own lists of good-humored friends, and supporters of Creato Destructo, and got enough bodies to approach a visual critical mass the video scenarion needed.
In terms of the uniforms, accessories, and other things that were needed — hire us and we’ll tell you all about it. (But one thing that worked in our favor was Halloween.)
We also benefitted from the great talent at Playmakers Repertory Company and the affiliated UNC Department of Dramatic Art. Not only were we able to “seed” trained actors into the bad-cop group — we also found standout talent Kelsey Didion, who earned my undying loyalty to her acting skills by sitting there, for hours, bound and hooded on a cold and windy day. (Kelsey, I hope someday to see you win an Oscar…)
And for location, well… we’ll have to protect the names of innocent property owners.
But enough from me. What does Wesley Wolfe think about the video?
“Jerry, James and Tracy are the kind of people I love to work with. People that have the need to create, and find any way possible to do so,” Wolfe said. ”They let no obstacle — especially the all-mighty one, budget, stop them. Through ingenuity and resourcefulness they have found away to put on bigtime productions with little budget…
“I feel fortunate to be a part of their collection of work. I have only heard great thing from people that have seen it. My closest friends we’re blown away by the video. The production value speaks for itself.”
So far, so good. How did he feel about the process of taking his song (a highly personal thing), and handing it over to others, to translate it into a video that wasn’t necessarily… his?
“Another thing I admire is how open and flexible Jerry was to ideas and changes in post production. He truly treated this project as a collaboration. I have no doubts that my ideas and thoughts were taken into consideration, and not just tossed to the side. Something rare in any art project, especially when all I had to do was just show up for the shoot,” Wolfe said.
Aren’t those some production values? Damn right! Even though I personally was still anxious on shoot day — because we had so many extras to manage — it was an amazing experience to watch as each person put on a uniform shirt, pinned on a badge, and donned headgear. They became bad cops right in front of our eyes, and it went from concept to stunning reality in just a few minutes.
The experience is well described by our own Tracey Oliveto:
“This shoot was really fun because once everyone was dressed and given their marks, it was like a big outdoor party. I couldn’t stop smiling at the image of 30 or more people dressed in uniforms, doing their thing in the sunshine and it definitely makes you stop and think about the roles we all play in life,” stated Oliveto, Creato Destructo’s associate creative director. “It was quite a spectacle and drew curious attention from passersby. Of course, James gave our Carrboro (police department), a heads up – after all, it could have looked like some kind of conspiracy.”
Tto be honest, we had a few uneasy weeks as the local police tried to figure out if we were making fun of them, or cops in general, or if it was some kind of weird art project. This being Carrboro/Chapel Hill, it appears they settled on “weird art project” and decided not to pursue the matter any further…
All that said, the last words belong to Wolfe:
“I was nervous at first about being on camera. I really don’t like posing for pictures or seeing video of myself. They talked me into it, I trusted them fully, and I don’t regret it one bit… All in all, a great experience.”
We’ll be happy to do it again, Wes!
Wesley Wolfe (left) photographs the anarchic chaos.
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Tags: actors, Advertising & Marketing, art, Carrboro, Commentary, Creato-Destructo, development, Directing, drama, editing, Film, James Hyatt, Jerry Stifelman, Media, movies, Multimedia, Music, odessa records, online, Playmakers Repertory Company, police, producer, producing, rolling stone, social media, Society, Tech, tracey oliveto, UNC, video, wesley wolfe, youtube